Screenwriting Books

I'm back in the fight to outline this screenplay. Last night, my slightly mushy brain came up with a pretty decent idea to fix the whole thing, and it continued to work on it overnight. By this morning it seemed like the new approach was pretty workable and I started writing it down. I'd like to say a couple of words about how I'm approaching that.

I previously mentioned Blake Snyder and Alex Epstein as influences on structuring my work. It's pretty hard to really name a favorite between their two books. The couple of books I'd read before them, Writing Screenplays That Sell by Michael Hauge and Screenplay by Syd Field, were useful overviews, but were vague on specific techniques. Yes, they discussed the three acts. Michael even offered a way to format an outline, but his approach seemed both heavily burdened with detail about what to track for each scene and lacking in practical advice on how to figure out what scenes to include.

Then I read Alex Epstein's Crafty Screenwriting. This was helpful. He started with the basics on developing a hook and then gave solid, practical advice about plot, characters, dialogue and the rest. I used his guidance while working on my second screenplay. But I guess the part of my brain that's good at organizing some things just didn't quite absorb enough about the process to make me successful at organizing the screenplay. It still ran out of gas about halfway through. I needed more.

Blake Snyder's Save The Cat! was the book that put it all together for me. It really might be The Last Book on Screenwriting [I'll] Ever Need (but I doubt it, because I like books). From his insightful breakdown of the beats of a movie, to his useful taxonomy of story genres, to his step by step advice on breaking down a story using 'the board', this book is filled with the tools I think I need to finally put together a screenplay that works. All the other books have their place, but Save The Cat! is the one I go to first to figure out what I need to put into a script.

So, I'm back to it. My logline is revised to incorporate the new approach. I have two fresh pages of notes for how to outline about 2/3 of the story, sort of a synopsis. I plan to get the rest of the synopsis/notes written down tomorrow morning and perhaps even start arranging scenes on 'the board'. It's just possible that I'll get that done and be able to write out the detailed outline by Sunday night. We'll see. I am recharged to get back to work and might be a bit optimistic.

I still don't want to say to much in this forum about what I'm working on. What I will say is that it's supposed to be a comedy (if I can write funny) and it's supposed to be family friendly (I think I can do that). And if you read STC!, you'll find that Blake would put it in the genre of Out of the Bottle. So that, or OOTB, is how I'll refer to the project from now on. It's not really I Dream of Jeannie. More like The Brass Bottle meets Home of the Brave (though I'm still trying to find a better second feature).

Outlining Is Hard

Having written four almost-novel-length rough drafts for NaNoWriMo and three screenplays for ScriptFrenzy, I already know that long-form writing is real work. But when I'm in the day-to-day of writing chapters and scenes, it's fun and rewarding work. Even when I know what's going down on the page is crap, I know I will (or am supposed to) come back and fix it later and I can get in the flow.

In those projects, the rough spots I ran into always had to do with story--trying to come up with at least the semblance of a feasible set of characters, setting, and plot. But once I thought I had those in hand, I dove in and figured I'd be able to to push my way through. I guess I thought of myself as a seat-of-the-pants writer--a panster. I haven't been satisfied with the results.

On my latest project, a screenplay, I figured I should probably follow the sage advice of the teachers I've been reading and following, namely Blake Snyder and Alex Epstein, and do a real outline, with beats, a basic scene breakdown, and everything. As I noted in a previous post, the personal deadline for having the outline is this Sunday, so I can start writing scenes on Monday. I gave myself last week to finish off the logline (which I mostly did) and this past weekend to do the story beats and breakdown (using 'the board'). I got my ass kicked.

Procrastination and long-weekend mentality meant that I didn't really start until Monday morning. Of course, that meant that I had the whole thing to do in a day, but I figured I'd at least get the high points and fill in the rest this week. I guess what I found out is that what I thought were settled story points had not been giving enough thought, so when I tried to nail them down they kept squishing about like jello. To top it off, my other project, a novel, kept popping into my brain. Like an idiot, I figured I should try to stay focused, so I didn't capture those, either.

It all boils down to the fact that I now see that I am probably a week behind. I need to get these story points settled. Then I can break them down and fill in the beats. Then I can write up the outline. Then I can write the rough draft. I'm getting an inkling of why writers who do this for a living call it work.

Novel vs Screenplay

I'd meant to get a bunch of work started on my next screenplay this weekend. But have had limited success. I think the only thing I've really succeeded at is finally convincing myself that I should drop the idea I was working on, for now. It's just not ready to be what I need it to be. But if I'm going to have something ready to write by the end of the month, I need to get something nailed down very soon. Like in a day or two.

Meanwhile, the noveling part of my brain jumped in and gave me what seem to be a pretty decent two or three pages to a first chapter. Then again, they may be too slow. But that's OK. It's a start. Now I'd better figure out a plot before I try to go much further.